*?#%&#! Comics Magazine (1989)

Very Cool! Must read!

Beef Knuckles

Recently I came across a copy of *?#%&#! Comics magazine.  *?#%&#! Comics magazine is a compendium that was published in Melbourne in 1989, edited by brothers Andrew and Ian Haig.  It’s interesting because it takes its cues from Raw Magazine.

Raw Magazine was edited by comic artist Art Spiegelman (Maus) and Françoise Mouly, and was a key part of the 80s underground comic movement.  It brought together artists from the United States and Europe who were making intellectual, alternative comics.

*?#%&#! shares Raw’s large format  and arty approach to making comics. Its contributors were almost all from Melbourne.  They included Philip Brophy, who was part of the experimental group → ↑ →  and now works as musician and artist; his then partner artist Maria Kozic who is now living in New York; Melissa Webb, who works as an illustrator in Melbourne; Carlo Golin, who is a practising…

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Aliens : Dead Orbit Advanced Review

Cool!

Xenomorphing

DeadOrbit

Dark Horse announced Dead Orbit some time ago, and the hype-train has been running at full speed since. They even released a movie style promo for it (It’s awesome, Check out here). I did not know what to expect, as too much hype can often be a detriment. How did Dead Orbit fare?

Wow. For those humans that have kept up with my reviews, I have lauded the Defiance series for it’s ability to create atmosphere and character. Those are two key elements that Alien, Aliens, and to a certain extent Alien 3 did extremely well. James Stokoe, hats off to you sir. This is a fantastic addition to the Alien universe.

From the opening panels, Dead Orbit drips of atmosphere. It mimics the detail oriented beginning of Alien. The air of mystery and exploration is nailed. There is no dialogue until about 1/3 of the issue is done…

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StarBeast — Prologue: Alien, Dan O’Bannon’s Cosmic Horror

Monster Legacy

Alienconceptobannon Dan O’Bannon’s original Alien sketch.

During the pre-production of Alejandro Jodorowsky’s Dune, screenwriter Dan O’Bannon witnessed the concept art work of Swiss surrealist Hans Ruedi Giger — who had been hired to visualize Giedi Prime’s architecture and barren landscapes, as well as Arrakis’ Sandworms. Whilst the film was short-lived, the airbrush paintings portraying grotesque amalgamations of organic and mechanical parts (what Giger called “biomechanics”) made an impression on O’Bannon. He recalled in his essay Something Perfectly Disgusting: “[Giger’s] visionary paintings and sculptures stunned me with their originality, and aroused in me deep, disturbing thoughts, deep feelings of terror. They started an idea turning over in my head — this guy should design a Monster Movie. Nobody had ever seen anything like this on the screen.” Years before, O’Bannon had wanted to write a horror film set in outer space; initially called StarBeast, it was finally titled Alien. ”StarBeast is…

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The Chemistry of the Colour Out of Space, Part 1

Lovecraftian Science

lovcraft_colour_by_Shane_Gallagher-d4buuhm

Illustration by Shane Gallagher (www.deviantart.com)

Relative to the various disciplines of science, HPL is most known for his knowledge and expertise in astronomy, reflected in the large number of articles he wrote on the subject (Collected Essays, Volume 3: Science H.P. Lovecraft, edited by S. T. Joshi, 2005). However, HPL’s first “scientific” love was not astronomy but chemistry. As a child he was fascinated with the pictures in Webster’s Unabridged Dictionary of the scientific equipment and tools one would find in a laboratory (I Am Providence: The Life and Times of H.P. Lovecraft by S.T. Joshi, 2013).

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A sample of Webster’s Unabridged Dictionary (from http://www.cthulhurisinggroup.com)

His first voyage into the subject of chemistry was the purchase of some chemistry equipment and the book The Young Chemist by Professor John Howard Appleton of Brown University. Besides experimenting and the occasional explosion in the cellar or fire in the…

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Just finished up another LiveStream!

Just a real quick dump here! Finished my LiveStream :D! Good 3 hours, had a lot of fun! I’m hoping to do these every monday so keep an eye out.

Anyways, as promised, heres the download to the psd of the Zombie I did tonight! All seperated layers!

Click here for the PSD Download!!!!!!

Big thanks to Johnny Fowle(jfowle) for the host!

if not I’ll try and find a place tomorrow, too tired now D:

Thanks for watchin everybody!

Exciter! Violence and Force

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31 FLAVORS OF HORROR!: THE BLOB (1988).

Demon's Resume

 
 
The Blob is the Rodney Dangerfield of horror characters.  It may seem odd to you and me that a gigantic neon space-booger isn’t as sexy to kids as vampires are, but that does seem to be the case.  No respect.  No love.  No romantic TWILIGHT-style franchise for this guy.  Can you imagine?  I can, but then I’m deranged.  Still, you don’t have to be crazy to appreciate the frequently-underconsidered cinematic adventures of The Blob.
 
When I bring up THE BLOB, I’m really referring to the 1988 remake written by Frank Darabont and Chuck Russell, not the 1958 original – which, even though it stars Steve McQueen, is not exactly as memorable as the newer version.  All due respect to the original THE BLOB for lighting the way – it may just be that slime technology advanced so much in the intervening thirty years.It’s not that the idea…

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The Blob (1988) Blu-ray

DVD NEWS FLASH: THE REVIEWS

If It Had A Mind You Could Reason With It

If It Had A Body You Could Shoot It 

If It Had A Heart You Could Kill It 

Now, Man Is No Longer The Supreme Being On This Planet

1e5f7-tank

Terror Has No Shape

You’re probably going to see this point mentioned in other reviews, I’ve seen it brought up before over the years, but it’s always a nice, logical, jumping off point to make with a film of this particular ilk from that particular decade, so I’m going to bring it up yet again and say with the exception of the 1978 remake of Invasion Of The Body Snatchers (I feel I can get away with a mention of this flick because it’s so damn close to the 80s) there were four other remakes of classic sci-fi/horror movies done in the era that managed to achieve cult classic status that are…

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